'Wandelweiser' composer, co-programmer of Pianolab Amsterdam at the Goethe-Institut. Dante has premiered more than 50 works, many of them written especially for him. He has performed at Constellation Chicago, Spectrum, Studio Z, the Rotterdam Philharmonic Gergiev Festival, Jeunesses Musicales du Canada, Gaudeamus Music Week, among others...

Initiator and driving force of 'Derelict' with guitarist Aart Strootman and pianist Stevko Busch, creator of 'Sounding Bodies', the 'Bach Clinic', the 'Growing Music' at 'Dutch Design Week' 2019 and many more innovative projects. Originally working in the classical music world, her passion is to explore new musical idioms and a wide range of theatrical forms.

He was a member of the famous ‘Paco de Lucia Quintet’ for almost 20 years. He played with greats in flamenco and jazz such as Carles Benavent, Camerón and Chick Corea.

He is one of the grand seigneurs of Dutch and European jazz. As a musician internationally known for his unparalleled sound, as a festival organizer innovative and open-minded.

Originally from Germany, Ingrid Laubrock has been a Brooklyn-based saxophonist/composer since 2009. Laubrock is interested in exploring the boundaries between musical worlds and creating dense and often evocative sound worlds.

After his studies at the University of Kattowitz and Cologne Musikhochschule (Michael Gustorff) he is now an indispensable part of the jazz and improvisation scene in Germany.

His flexibility and ability to move effortlessly in different styles, from atmospheric and free sounds to tight and energetic grooves, make him a very dynamic drummer in the current European music scene.

Santoor master Pandit Tarun Bhattacharya is a pioneer and revolutionary musician who has radically changed the face of Indian classical music. This makes him an unparalleled ambassador of modern Indian culture. In 1980, he was the first to demonstrate that it is possible to play 'meend' or glissando notes on the low octaves of a hammered instrument.

Already around the age of 30, news of Arthur's refined, glowing sound and his creativity has spread, with New York City Jazz Record describing his playing as "beautifully unknown," and Allaboutjazz describing his improvisations as "simple but perfect," displaying "a demanding perfection" and with "a harmonic tone that makes his playing as vulnerable as Miles Davis at his most fragile."